The information resource for printmakers
Record of Updates
Main Menu
Feature Artists
Print Biennales and Triennales
Print Workshops
Materials & Techniques
Material Suppliers & Services
The Etching process
Procédé de l’Eau-Forte
Der Radiervorgang
Wood Engraving the process
Art Links
E-mail The Editor
COLOR IN INTAGLIO PRINTS WITH PAPER By John D. Gall - The colle process. Crocodile Oasis - Mark Millmore describes how he made this photomontage using images scanned from magazines and a CD photo disk. If you are using IE4 or 5 click here If you are using Netscape - any verion click here A Survey of Printmaking Materials Acid Free Non Toxic Etching - The ElectroEtch Approach
Bill Wheeler on Print Media Etching Without Acid New technique by Cedric Green Screen meshes A report by Steve Hoskins R.E. Screenprint Direct Emulsions By Steve Hoskins R.E. Growing Your Own Ink A Study in ‘Phytochromography’ by Phil Shaw MA(RCA) The chemistry of ferric chloride Or how to get one up on your Safety Officer by Stephen Hoskins and Roy Pearce Paper suitable for etching. By Graham Brown from R.K. Burt A new type of photo-etching process by Keith Howard,
Etching Without Acid New technique by Cedric Green
Screen meshes A report by Steve Hoskins R.E.
Screenprint Direct Emulsions By Steve Hoskins R.E.
Growing Your Own Ink A Study in ‘Phytochromography’ by Phil Shaw MA(RCA)
The chemistry of ferric chloride Or how to get one up on your Safety Officer by Stephen Hoskins and Roy Pearce
Paper suitable for etching. By Graham Brown from R.K. Burt
A new type of photo-etching process by Keith Howard,
To top of page
The information resource for printmakers
The information resource for printmakers 