Rosemary Simmons - print pioneer
      The Winter 1998 edition of Printmaking Today is the first
      produced entirely by the new joint editors.
        Joseph Winkelman PPRE
      Rosemary Simmons has waited to retire until the quarterly was firmly established
      and wishes that no attention be paid to her going.  In saying farewell, however,
        I feel we should recognise her quite extraordinary effort which the creation of
      this journal represents.
      The healthy condition in which she hands over the publication is a great credit to
      her inspiration and tenacity.   She pursued her singular vision unrelentlessly
      for more than ten years, to establish an independent, impartial and comprehensive
      publication specifically for the practice of the graphic arts.  Negotiating her way
      around seemingly insurmountable obstacles, Rosemary persisted until her goal was achieved.
      Funding such an enterprise itself would have defeated any ordinary mortal.
         After investing her own money to get matters going, Rosemary persuaded the
      Henry Moore Foundation to finance the first four issues in 1991. But publication had to be
      suspended after the first year in spite of the initial appeal of the quarterly because
      further backing could not be found.   It was fortunate that the scientific
      publisher, Roger Farrand, generously agreed to become an investor and publisher the
      following year.  Taking no salary for their labours, together they nurtured
      significant annual growth of subscriptions until the enterprise was financially viable. 
      Rosemary continually improved the quality of Printmaking Today, incorporating her
      new ideas during the very difficult period when her sight became badly impaired by
      cataracts and her supportive husband, Anthony Christie, passed away. She generated
      discussion of educational issues, considered all aspects of printmaking from the humblest
      to the most sophisticated levels, and demonstrated complete openness in treatment of all
      forms of the art, past , present, and future, without sentiment or partisanship. Most of
      the burden of writing and all of the editing she carried herself with enthusiasm and
      determination, sustained  by her admirable goodness of spirit.
      To  Rosemary I offer our heartiest congratulations for what she has achieved
      and thank her kindly for giving us Printmaking Today.  It is sure to thrive and her
      enormous contribution will not be forgotten.
       Joseph Winkelman PPRE
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