My intention with this hybrid form
of art is to identify and celebrate largely unknown
people, ideas or places and make them better known to
a greater number of people. They all become
small-space subjects of a postage stamp conceit. It
is an intimate form of art. They require a close look
to understand a story or recognize a person. Some are
done seriously and others more tongue-in-cheek. John
Giles for an example, was a musician and composer who
died an early, tragic death. He was also a friend.
Before he died, I shared the prototype of his stamp
with him, and he enjoyed the sincere sentiment it
represented.
|
"John
Giles," - a color 35mm print, scanned
into Photoshop in grayscale, run through
several filters to give it a line quality,
recolorized, imported into QuarkXpress where
text was added. |
"Dimitri"
is the uncelebrated copywriter for five years of
"Doritos" TV ads. The set of stamps were
intentionally done as a miniature storyboard, much
like what he would use to suggest the narrative of a
30-second TV spot. "Ron" who despite a
demanding day job , paints on at night and weekends
realizing his vision. But even where there is whimsy,
something more is implied. "Stevens &
Co." is done in the style of a friendly parody
of Orson Wells, but is recognition of the man who has
produced numerous plays in Chicago, often at his own
expense. "Corporate Policy" pays homage to
anyone whose been right-sized, downsized, made meaner
and leaner or has just suffered under someone's
malfeasance. "Isle of Wait" satirizes the
last time you thought how wonderful it might be to be
on a deserted island rather than at work or home.
|
"Dimitri"
is a series of 4 drawings from a black and
white contact sheet, scanned into Photoshop
as line art, filtered, colorized, imported
into Quark, text added and printed out on the
color laser printer. |
These images are
visual motifs drawn from twenty-five years of
drawing, printmaking and design and twenty years of
working in humanist causes. Since obtaining my degree
in printmaking and design, my professional career has
largely been spent in publishing where there is a
symbiotic relationship between content and visuals.
In this context, story telling has been a vocation
both in text as well as in the graphics that either
complements a narrative or supplants it. A recurrent
theme in all this story telling has been celebration,
celebration of people hardly any one knows,
celebration of places few people have ever visited.
And with each celebration there's a hint of that
person's or that plasce's significance and
importance. Only recently, the additional use of
computer graphics have turned these visual paeans
into the current hybrid forms of art as they now
exist.
|
"TimeWalk"
contains a colorized film negative that is
filtered & distorted in Photoshop,
superimposed by several different video grabs
that are imported into a Photoshop TIFF layer
as a pict file. The file is flattened &
imported into Quark & output as a laser
print. |
As a printmaker and
designer, multiple images have always excited me. In
1985, it occurred to me that a logical way to
celebrate, a person or an event might be to
appropriate the conceit of a postage stamp - "to
commemorate" something. There are however,
significant problems working that small. I knew that
until 1974, most postage stamps in the United states
were printed with a technique known as rotogravure -
a commercial form of intaglio. I knew I could
duplicate that look on my own press. A computer with
extensive graphic programs turned out to be an
exciting way to resolve a variety of visual problems
and reduce the images to their requisite size. As a
designer, the multiple images usually have to look
all alike. But as a printmaker it's the variations
that have interested me, the artist proofs rather
than the entire production run, fascinate me most.
The stamp collectors "block of four"
further helped define the direction my art would
take. The computer made it possible to capitalize on
both of these interests. It was a logical transition.
In the computer, I could create images or scan images
I had photographed or drawn. They could be
manipulated, resized, recolorized, distorted or
combined in ways that never before existed. Film is
created from the digital files, and images
transferred to photosensitized plates and printed
either on an intaglio or lithographic press. The
images here are largely prototype images printed on a
color laser printer for proofing images before film
is made for lithographic or intaglio prints. After
making so many prototypes over the last two years,
they began to take on a life of their own.
'Harmony and Entropy' consists of
40 works of art, rangeing from blind embossed prints,
aquatints with viscosity rolls, to computer generated
color laser prints.
Harmony and Entropy is currently on
show at the Raymond Park Gallery - 1501 Hinman in
Evanston , Illinois USA.
You can e-mail Craig at bbluesky@anet-chi.com